Final Major Project | Week Four : Define & Develop

This week has been about identity ― from selfie-portraits to the multiverse and various points between . . .


Theme of week four in the ‘comfort of creativity’ self-coaching program is ~ Analyse with compassion your ‘labels’, skills & experience.

It was good to have some work in progress (angel illustrations) to show at tutorial and explore the book idea some more ― the idea of ‘a hug in a book’ emerged strongly and has informed my practice in a positive way this week.


It also helped me find an entry point for my creative development this week ― as always I needed a straightforward project to ease my way past the challenge of the blank page. Recalling little ‘hug’ cards I had made during the pandemic when hugs were impossible, I developed last week’s theme into a hug mandala. I then used the mandala patterns as a gentle entry point to a therapeutic art exercise to explore the ‘masks’ I wear. I had printed out several template outlines of my face shape and features (sketched in procreate based on a selfie). It was hard to begin, but the mandala doodling broke the barrier and I had a strong mental image to portray motherhood and searched tiger inspiration on pinterest. As I worked I realised my hair is like a lion’s mane and added that. I knew I wanted to portray a blue-stocking aspect, and for me that has always been encapsulated by Ronald Searle’s St Trinian’s. I gave myself the distinctive nose (and for some reason no neck! Subconsciously strangled by the school tie I guess . . .) My home-maker self has my mother’s distinctive bun hair-style and draws on the maternal presence in The Tiger Who Came to Tea and The Snowman. Interesting how pale she has come out. And a confidence I thought was lost emerged as I drew my final mask-selfie as Creative Director. I wonder what Jung would have to say . . .?

On Thursday I knew I wanted to work in gouache, experiment with the paints. I began by looking at the whole self inspired by an art therapy exercise covered in a vlog by Participant, applying colour inspired by feelings and sensations in various parts of my body. I’ve also begun to collate writing I want to include in the book, and had a strong feeling of wanting to draw my ‘black dog’ to accompany the written description. Researching Churchill’s ‘black dog’ I came across his essay ‘Painting as a Pastime’ and his strong advocacy for the healing properties of art (his analogy with fighting a battle resonated less strongly!!). Initially I was looking for reference images of a black Labrador curled up sleeping, but this expressive photograph leapt out at me and felt immediately right. I began with a grey wash, thinking that the whole image would be monotone. Later it seemed right to add the yellow ― it’s only laying out my work here that I see it’s carried through from the earlier full-body self portrait. Working in the gouache with a large brush gives a quick energy to the final image that brings it to life. It needed a little extra definition, which I added with some fine lines quickly sketched over the photographed painting in Procreate.

The ‘baby bird’ is less successful ― I think I have the proportion/position of the head wrong (it should be reaching further forwards). I will use this as a holding image and decide whether it’s needed in the final lay-out and therefore whether to repaint or perhaps replace with a line drawing. It lacks the personality and expressiveness of my black dog . . .

I’m much happier with the experiments with gouache colour washes. Not intended as anything other than scrap work, I found images emerging that complement some of the written pieces and may well be something I want to include. I’ve dropped them in to the first draft for consideration next week.

Continued to enjoy ‘colour walks’ ― and very much enjoyed excursion to watch the film Rye Lane at the PeckhamPlex cinema on Rye Lane. The end credits really chimed with the work I’ve been doing ― simple strong colour textured washes. Nice. And a Zadie Xa quote on the billboard as I left: feels like full circle to the first weeks of the course and my trip to her exhibition at the Whitechapel Gallery.

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